Senin, 28 September 2015

PDF Download Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer

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Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer

Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer


Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer


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Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer

From Publishers Weekly

It's hard to think of a work that has so influenced our understanding of the United States as this—still the most authoritative, reflective set of observations about American institutions and the American character ever written. That its author was a Frenchman, and an aristocrat at that, and that he was balanced and penetrating has often occasioned rueful surprise. However, de Tocqueville's distance from his subject is precisely what lends his observations such continuing currency. A few decades ago, for instance, we read Tocqueville for his prediction that Russia and the United States would one day contest for pre-eminence. Now, we ought to read him (Iraqis and Afghans should, too) for his classic analyses of the link between political parties and free associations and for his reflections on such matters as religion and public life, and "self-interest properly understood." But many solid translations exist. Why another? Because the Library of America would be incomplete without this canonical work of history and sociology. And this translation by Goldhammer, the dean of American translators from the French, accomplishes what it's hard to believe possible: it lends to this unalterably grave work some zest. Never slipping into slang, it gives a colloquial cast, fitting for our time, to a work normally rendered only with high solemnity. The Library of America claims that its editions will stay in print forever. This one's likely to stand that test. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

"Tocqueville enjoys a unique position in the history of literature and thought: a philosopher also notable as a literary stylist, he is the only Frenchman who can claim to be part of the American canon as well as the French."Tocqueville enjoys a unique position in the history of literature and thought: a philosopher also notable as a literary stylist, he is the only Frenchman who can claim to be part of the American canon as well as the French. (Arthur Goldhammer, translator)aTocqueville enjoys a unique position in the history of literature and thought: a philosopher also notable as a literary stylist, he is the only Frenchman who can claim to be part of the American canon as well as the French.a (Arthur Goldhammer, translator)?Tocqueville enjoys a unique position in the history of literature and thought: a philosopher also notable as a literary stylist, he is the only Frenchman who can claim to be part of the American canon as well as the French.? (Arthur Goldhammer, translator)

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Product details

Series: Library of America (Book 147)

Hardcover: 928 pages

Publisher: Library of America; 1st edition (February 9, 2004)

Language: English

ISBN-10: 1931082545

ISBN-13: 978-1931082549

Product Dimensions:

5.2 x 1.2 x 8.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

513 customer reviews

Amazon Best Sellers Rank:

#29,022 in Books (See Top 100 in Books)

I’ve always been fascinated by America, the American experiment, the American experience. In college, I found my place in the sociology, anthropology, political science and literature of the American people, values and ideals. My novels are born of the culture of merging, conflicting cultures we, as Americans, were born into, from my conviction that dealing with that experience is the challenge of being American. Only once before, in 1968, have I had the horrifying sense that the country was coming apart under the strain, a sense of the great experiment disintegrating.What has happened to us? Where did this disintegration into hate and violence, this contempt for our institutions begin and where is it taking us? From all of my early studies, the work that keeps coming to mind, as I look for answers is Alexis de Tocqueville’s Democracy in America. De Tocqueville was a French aristocrat who hated tyranny and feared that democracy would disintegrate into tyranny of the majority. He understood, however that democracy was the future, so in 1831 he came to America in order to see it in action. To my mind, no student should graduate from high school in the United States without reading his observations and reflections on the American people, for we desperately need to renew our sense of not only the hope but the challenges of being an American and a commitment to support its survival as a democracy.De Tocqueville feared individualism and the abolition of the class system that, he believed, gave order and stability to the European nations. He believed that without that order, people would be forever anxious about where they belonged and would end up forever comparing themselves to each other. Forever insecure, their individualism would devolve into selfishness and each would end up alone. We should take a good look at ourselves in light of this fear. Has our insecurity, our need to know where we belong splintered us into rival groups where each gains stature by debunking the other?However, De Tocqueville also found in the Americans, an equality unknown in Europe and with a deep sense of community and civil order. He found a people committed to building a new world, to resolving together the problems that confronted them. He believed that the multitude of civic organizations would counter the dangers of individualism. The men, he thought, would forever strive to power and acquisition of wealth, but the mores, the “habits of the heart” carried by the women, would provide the civilizing force.He has a great deal to say about the role of religion in the New World and many other subjects, but this gives a taste of a perspective different enough to shake up the all-to-stale ideologies that have broken us into enemy camps. We have indeed joined civil action groups, but we have, since Trump’s election, discovered the importance of unwritten mores, that undergird our common culture. That gives us the opportunity to regain our sense of belonging to a whole.His views on the role of women should spark lively conversations on individualism versus commitment for both genders as well as on the effect of the rampant greed of the eighties and nineties. De Tocqueville believed it is the “habits of the heart” that give the Americans strength. We need to rediscover those together.

This is a review of the Library of America 2004 edition of Democracy in America translated by Arthur Goldhammer, found here: Alexis de Tocqueville: Democracy in America: A new translation by Arthur Goldhammer (Library of America). Unfortunately Amazon lumps together reviews of several different editions from several publishers, so it is difficult to know which edition is being reviewed. For this reason, and because many others have reviewed the content of Tocqueville's amazingly insightful work, I will focus solely on the physical aspects of the Library of America edition.In my opinion, the Library of America edition is excellent. It is not the least expensive edition, but I believe it is worth the extra dollars, and is really quite reasonably priced given the quality. Considering it contains over 900 pages covering both volumes 1 and 2 of Democracy in America, the book is remarkably compact at 5 inches wide by 8 inches tall by 1.25 inches thick. This is made possible by using thin paper which still appears to be quite durable. The hardbound binding also appears to be very durable, and even contains a built-in ribbon marker. Even the dust jacket is made from heavier than usual stuff. The font used for the text is large and very clear. The 2004 translation by Goldhammer is in what I would call a modern style of English that I found easy to understand. In other words, I didn't have to fight the translation in order to follow and think about what Tocqueville was actually saying.There are several helps included. The frontispiece contains a map from the original 1835 edition that describes North America as it was when Missouri and Arkansas were the westernmost states. Translated from the French, it proved to be quite helpful at times. The end of the volume contains a chronology that is a pretty thorough biography of Tocqueville himself. There is also an extensive index, along with notes on the text and translation.All in all, I found this to be an understandable and durable edition that does justice to Tocqueville's timeless work. I recommend it.

It is quite amazing and by far my favorite translation and compilation of all things Tocqueville. How the books and chapters are divided at first seem confusing, but you quickly adjust if you are familiar with Tocqueville. I am definitely not a Tocqueville scholar, but I guarantee this is the greatest review of the American political system to this day. Pick up a copy of The Federalist Papers and Anti-federalist Papers while you're at it and you will have the quintessential trifecta of American democracy.

Given that I do not speak/read French, I cannot speak to the accuracy of the translation, however, this translation was a pleasure to read in English. Also, the footnotes were helpful, and the chronology section helped put Tocqueville himself in context nicely. I read the kindle edition, and it was well formatted.Apart from this specific translation/edition, I don't think that I can add much that isn't already out there about Democracy in America other than perhaps to point out that you are much less likely to find it interesting if you are not at least somewhat familiar with 18th and 19th century French history. If this is the case, I would recommend at least reading "Revolutionary France 1770-1880" by François Furet prior to starting Democracy in America.

Former Iranian President Mohammad Khatami said in a CNN interview in 1998:"This civilization is best described by the renowned French sociologist Alexi de Toqueville who spent some two years in the U.S. in the 19th century and wrote the valuable book entitled Democracy in America, which I am sure most Americans have read."Well, I don't think that's the case. I've taken this book around with me for the last few years and have asked many Americans... and have yet to meet one.

Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer PDF
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Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer PDF

Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer PDF
Alexis de Tocqueville: Democracy in America (LOA #147): A new translation by Arthur Goldhammer (Library of America), by Alexis de Tocqueville Arthur Goldhammer PDF

Minggu, 13 September 2015

Free PDF But Enough About Me: A Memoir

Free PDF But Enough About Me: A Memoir

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But Enough About Me: A Memoir

But Enough About Me: A Memoir


But Enough About Me: A Memoir


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But Enough About Me: A Memoir

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Audible Audiobook

Listening Length: 11 hours and 27 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: November 17, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B0147CP0QK

Amazon Best Sellers Rank:

True to its title "But Enough About Me" Burt Reynolds doesn't divulge too much about himself in his book. It has tid bits here and there about his family particularly his strict father who was in the military before becoming the chief of police of a small town in southern Florida near Miami and Burt's desire to make his father proud of his son "Buddy" as he was then called. For the longest time, his father didn't think acting was a "real" job. He also writes about his school years and his love of sports growing up, his years acting on stage and his stunt work before and after becoming a move actor.I would not call this book a true memoir since the author chose to write mostly about people that he has encountered in his life, some in his personal life but mostly in his professional life and how some of them effected him. He actually has whole chapters devoted to each person that he chose to write about. I found some of the chapters really interesting, particularly the chapter on Dinah Shore (they had a romantic relationship for several years) but they never made it to the altar. He speaks of Dinah in a warm and loving way and what a great person she was, was loved by everyone, what a wonderful cook she was and would cook for anyone at all hours of the day and night.I also found interesting the chapter on Sally Field, how he insisted to have her in the movie "Smokey and the Bandit" since he thought she would be perfect for the part even though at first Universal didn't want to use her because the studio didn't think she was "sexy enough" (she had previously played The Flying Nun in her own TV sitcom) and how much sexual chemistry they had with each other from the day they met at rehearsal. They ended up becoming an item for a few years and making several movies together. The biggest surprise for me was that he writes in his book that he wishes he could turn back the clock, that he's sorry he never told her he loved her and he's sorry they couldn't make their relationship work. They spoke about marriage, but one wasn't ready when the other one was and vice versa. According to Burt, it's the biggest regret of his life.There's also an interesting chapter on his ex-wife Loni Anderson. They were married for only five years. In this book Burt writes that he doesn't even know why he married her as they are very different from each other and admits that he wasn't thinking at the time and that she was the aggressive type, she came on to him and was very determined to get him. But he writes he had his doubts about her even before he made the marital commitment. He portrays her as being money hungry and spent a lot of his money during their short lived marriage (while married to each other they adopted a baby boy, Quinton). He regrets not listening to the others' advise and his own gut instinct not to marry her.There are also other interesting chapters on Spencer Tracy, Bette Davis, Roy Rogers, Frank Sinatra and Clint Eastwood just to name a few. He also writes that he regrets posing nude in the magazine "Cosmopolitan" centerfold since he feels it affected his acting career in a negative way as he wanted to be considered "a serious actor", he wishes he would have listened to people that advised him against doing it. There's also an interesting foreword written by his friend Jon Voight (Burt met Jon while making the movie Deliverance and writes in this book some really interesting things about making that movie). So, he has a few regrets (don't we all) but has lived a very full and interesting life! If you like to read about Hollywood and its stars, you will enjoy this book!

You get the Real Burt Reynolds here. All his mistakes, all his goofiness, all his kindness, all this successes and failures. This book is like you're sitting around a patio in Florida and Reynolds is just telling his story. Sometimes I wish he'd told more about some people in his life, but maybe he had to edit for length.How a Florida jock became an actor was a very good story. And how he occasionally shot himself out of the saddle adds depth. His loves and his need to find acceptance are quite touching.I recommend this book. But it's a quarter to three a.m. and I just finished. Don't start this book if you have somewhere to be; at places it's hard to put down.

When I read that Burt Reynolds died, I was saddened by the thought that I grew up with him and now he was gone. Anyway, I looked around to see what I could read about him and saw that he released a book in 2015. This book is a wealth of information about his life as a troublemaker in high school and his ascendancy to the top of the box office as an actor.This book is a great read because it's like having Reynolds talk to you in his backyard about his life from childhood to age 78 or 79 when he co-wrote the book. He lived for another 3 years before he passed away 2 weeks ago.His movies were not the most cerebral. Like he said in the book, he liked to have fun and that's what he wanted in life and it showed.I saw Smokey and the Bandit again a week ago and boy, I remember the fun I had seeing it as a younger man! I wanted to be like him!All in all, Burt's life was the stuff of legend. Not many guys can brag like Reynolds did and not get called on their stories. However, Burt did all that he wrote in the book and it was all true. What a guy!Rest in Peace, Buddy!

Mr. Reynolds is a great story teller, I've seen him on countless talk shows over the years talking about various friends in the entertainment industry and sharing anecdotes about filming on location.The fact that his career bridges the older generation of "Movie Stars" - with capital M and S - as well as his own generation of stars and then those that came even later gives him a rare perspective. This book provides some great stories but at the same time it seems to be just sort of hitting the highlights with not much depth. I'm not referring to salacious or scandalous material, it just seems that so many long time friends of Burt Reynolds's, like Dom Deluise, Charles Durning, and others are given a few quick pages then left behind. I realize you can't cover everything but at times the information seems a bit thin.My only real negative critique is the way Loni Anderson is treated in this book. Mr. Reynolds seems more than a little mean spirited towards her... I get it. Bad breakups are tough to get past but I almost wish he would have just made a brief blanket statement along the lines of "Loni has her version, I have mine, they differ greatly. Enough said."Bottom line: Burt Reynolds shares some fun stories about his career and a few of his famous friends. It's kind of like having a chance conversation with someone on a long trip, you end up hearing things you probably didn't expect to hear but nothing particularly shocking or too in depth. Recommended for any fan of Burt Reynolds.

This is a very interesting book about Reynolds' life, and interactions/reactions to individuals such as Jon Voight, John Wayne, Lee Marvin, Sally Field, Marlon Brando and many others. Not all of his reactions are "love letters", which lends a sense of authenticity to his observations.Readers interested in the art of acting in movies, television, and theater, will enjoy Reynolds' comments as a professional who has been highly successful and is a generous teacher.When you read a memoir that leaves you feeling as though you have had a great conversation with the author-that is the essence of a fine book.

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Sabtu, 05 September 2015

Free Download New American Haggadah, by Jonathan Safran Foer Nathan Englander

Free Download New American Haggadah, by Jonathan Safran Foer Nathan Englander

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New American Haggadah, by Jonathan Safran Foer Nathan Englander


New American Haggadah, by Jonathan Safran Foer Nathan Englander


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Review

Praise for EVERYTHING IS ILLUMINATED:"Not since...A Clockwork Orange has the English language been simultaneously mauled and energized with such brilliance and brio."―Francine Prose, New York Times Book Review"Powerful...A veritable book of treasures."―Los Angeles Times Book ReviewPraise for EATING ANIMALS: "Stirring...compelling....Foer brings an invigorating moral clarity to the topic."―Entertainment Weekly"One of the most important books I've ever read."―Ellen DeGeneres"What makes Eating Animals so unusual is vegetarian Foer's empathy for human meat eaters, his willingness to let both factory farmers and food reform activists speak for themselves, and his talent for using humor to sweeten a sour argument."―O , The Oprah MagazinePraise for THE MINISTRY OF SPECIAL CASES: "Who is this Nathan Englander, so young in novelist years, but already possessed of an old masters voice?...One reads this novel in awe of Englander's talent."―New York Times Book Review"[A] tour-de-force.... A few pages into The Ministry of Special Cases, it becomes clear how much [Englander] has to bring to the topic: pitch-black humor, a skeptical affection for his characters, and the narrative ability to trace the impact of fascism-with-a-modern-face on a cluster of lives."―The Seattle Times

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About the Author

Jonathan Safran Foer is the author of Everything Is Illuminated, Extremely Loud and Incredibly Close and Eating Animals. His books have been translated into thirty-six languages. Everything Is Illuminated received a National Jewish Book Award and a Guardian First Book Award, and was made into a film by Liev Schreiber. Foer lives in Brooklyn with his wife, the novelist Nicole Krauss, and their children.Nathan Englander is the author of the novel, The Ministry of Special Cases, the play, The Twenty-Seventh Man, and the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank, which won the Frank O'Connor International Short Story Award and was a Pulitzer Prize Finalist. He lives in Brooklyn, New York with his wife Rachel Silver.

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Product details

Paperback: 160 pages

Publisher: Little, Brown and Company; Reprint edition (March 4, 2014)

Language: English

ISBN-10: 0316069876

ISBN-13: 978-0316069878

Product Dimensions:

8 x 0.8 x 10.8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

89 customer reviews

Amazon Best Sellers Rank:

#19,241 in Books (See Top 100 in Books)

We purchased and used this Haggadah for the first time this year. Having used many different Haggadahs over the years, here are my thoughts on this one. Pros: really thoughtful and insightful readings; at first I wasn't so sure about the translation Lord our God, God of Us, but it actually grew on me; my history buff college age son loved the historical timeline and notes that appeared at the topmost edge and ran through the entire volume; my middle teenage science nerd son loved that the volume encouraged him to hold it sideways for some readings; we read many of the sets of 4 mini essays that appear throughout the volume, these were terrific conversation starters for older children, teens and college students. Cons: LONG, did I mention LONG; few transliterations to aid those at the table who are not confident with the Hebrew, the Hebrew font is difficult to read, the Hebrew font changes font sizes many times in one paragraph which is very difficult for the older folks at the table, sometimes the Hebrew is printed on top of illustrations that make vowel identification a little tricky in spots; the main sections of the seder are not well marked, often the important notes that identify sections appear as notes in a tiny font on the edges of the sections. This Haggadah would have benefited from better organization and labeling. We like to use supplementary materials and readings from past loved Haggadahs, so when we wanted to tuck out and then tuck back in to this Haggadah, it was often difficult to find well-known sections of the seder. Even for those who know the seder service well, I would recommend spending an hour with the book before you lead a table service with a pen and a pad of yellow stickies to clearly mark sections you want to use, since it is so very long with so very many options for readings, another important preparation step is to mark the pages and readings that you know you don't want to use, we did lose quite a bit of time trying to find our way through the volume, some of our favorite songs were not there (or at least we could not find them) and so we went scrambling for another Haggadah for the after the dinner portion of the service. Our consensus on how we will use this Haggadah in the future is likely as a source of readings and supplements to another Haggadah. The readings really were fabulous and lend themselves to both spirited discussion and personal reflection.

As everyone has said, the English translation in this Haggadah is wonderful. The change to "God of Us" intead of Our God, is an example of the small changes that can make reading this remarkable.There are no transliterations, which can be challenging in a mixed group. The language for God is only male, which can be startling for people used to gender neutral references to God.The "extras" to the traditional Haggadah language - other writings/musings on the theme - are written sideways on pages that only have these writings. The time line throughout the haggadah is also interesting for its context and its choices.

I picked up the new Foer/Englander haggadah and used it during the first night of Passover this year. I can't say that I came way massively impressed. I wasn't dissapointed by any means but it wasn't as if I feel everyone needs to rush out and go get this haggadah for next year's holiday. Is the artwork pleasing to see in a haggadah--yes. Are the stories interesting--sure they are.The House of Study, Library, Playground, Nation readings were interesting but I would have preferred to see them sprinkled throughout the haggdah instead of uniformly on one page at certain point. The best part of the haggadah I found was the timeline but the way it was written forces you to rotate your haggdah in an unnatural way and really in my mind takes away from the overall experience of the haggdah.My feeling is that this is a good but not great haggdah that got a lot of hype because of Jonathan Safran Foer editing it and that it is not a must have in future years.

I heard an interview with Englander on NPR and was intrigued when he talked about a faithful oral tradition describing the darkness of Exodus as "clotted" and thick. But I'm afraid the other 1-star reviewers are correct in their comments and I will not repeat them all here. What WAS interesting about the book was its timeline of the history of the Seder and its practice over time, although it became a bit tangential at places where it records the mere mention of the Passover in the writing of the likes of Joyce and Faulkner. The commentary by the author also feels irreverent when he says that G-d is just, but not "right" in His judgment of Egypt (p.66), and is infused with political correctness throughout - on the same page the author compares Egypt's judgment to "karma".

Last week we took delivery of the Foer/Englander Haggadah; my wife and I have been reading it all week long in preparation for the two seders which we host for family and friends.During our process of changing dishes and augering boxes, I found an old newspaper I used to wrap Passover dishes many years earlier. It was the NY Times from April 2nd, 1999 and in front of me was the book review for Mr. Englander's book--'For the Relief of Unbearable Urges', one of his first.I took this as a sign that this review was waiting for me, all these 13 years to re-discover and read along with his co-authored Haggadah.Was this fate? Destiny? Coincidence? Or, was it just one of those things that happen that can change the course of one's mindset?I don't know. But I do recommend both of these works to all who seek a different and indeed refreshing perspective on things.

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New American Haggadah, by Jonathan Safran Foer Nathan Englander PDF
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Rabu, 02 September 2015

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Product details

File Size: 63141 KB

Print Length: 323 pages

Page Numbers Source ISBN: 1726244490

Simultaneous Device Usage: Unlimited

Publication Date: August 27, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07GWJNPVR

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Amazon Best Sellers Rank:

#108,037 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I'm new to iPad and have ppurchased several books to aid my learning curve. This book has proven to be the most useful.

May be OK for what's new in ios 12 but useless for anyone wanting to learn how to get productive use out of an Ipad. Full of the usual gushing about photos and music and clouds but not much of a practical nature.

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